Skip to main content

The Power of the Press (1928) - a Silent Film Review


‘Weather Report by Clem Rogers.
Weather man promises sunshine today:
Clear Skies! Think what that means to the birds and flowers! Think what it means to the farmer that hardy son of toil upon whose shoulders the wealth of nations rests.
Think of the mothers and children in the parks and fields and babbling brooks!
Sunshine and health and happiness to all is what I promise today!’


Wannabe news hunter Clem Rogers, whose job is to write the weather reports and obituaries for the Times, tries to impress his boss with these kinds of creative phrases. But his boss is not impressed and almost completely deletes his text. If he receives a phone call that a murder has been committed and all reporters are away to cover other news, he is forced to send Clem. Because of more luck than brains, he sees a lady who behaves very suspiciously. His reporter's instinct tells him that this could be his chance to get a scoop. This time he gets more appreciation from his boss and the presses are stopped for a new front page.


The 19 year old Douglas Fairbanks Jr. plays newspaper cub Clem Rogers in 'The Power of the Press' from 1928. Fairbanks Jr. began in 1916, a year after his famous father had his acting debut, his acting career. I don’t want to compare the two here, others will probably have done that and I'm sure they did will be better, but two things stand out for me: Although Junior's career lasted longer than his father's, they were equally successful and talented. Pa is now mainly remembered for the many stunts he did in his films, but in the beginning of his career he made many comedies. In 'The Power of the Press' Junior shows that he inherited the talent for comic timing from his father. He makes me  even laugh by mocking the most annoying habit of the stereotypical American; chewing gum.


Jobyna Ralston plays prime suspect Jane Atwill. The innocent Jane does not appear to be the helpless little lady she seems to be at first. After the initial shock the innocent Jane goes to the newspaper to seek redress, but she finds that Clem is very full of himself. When he answers ‘We newspaper men must print the news, no matter who it hurts!’ she shouts; ‘If I were a man, I’d punch your nose.’ But it’s the 1920s and women didn’t do these things in those days. So she turns on the Niagara Falls. And it proves just as efficient, even more I’d say. She manages to persuade Clem to help her prove her innocence and to search for the real murderer. Gradually, Clem loses his naivety and starts thinking like a true detective.


Fred Thompson wrote a story with a topical subject; one wrong conclusion from a journalist can have disastrous consequences. Scenario writer Sonya Levien has done a wonderful job at trivialising this topic. Suspense, comedy and drama change on a regular basis. One hour is not long enough to give real depth to the characters, but they didn’t want to make a profound film anyway.


Frank Capra, who later became one of the most influential directors of the 1930s, directed 'The Power of the Press'. He was the founder of the romantic comedy. You can put the predicate 'romantic' and 'comedy' on this film, but I don’t think this film is really a 'romantic comedy' in the style of the films in this genre that would make Capra famous later on. The humor in 'The Powers of the Press' is separate from the story. Moreover; I think the film had worked just as well when no humor had been and it had become a thriller. In his later romantic comedies the story and the comedy are more merged. I also think that it has to do with the arrival of the sound. It was easier to add witty dialogues in the film.


Capra also takes the time in this film to show how the printing proces of a newspaper works. It was a time when working in a printing company was still hard work and printing ink still smelled nice. At school I learned how to operate a printing press. This was in a period that they still were allowed to add all kinds of junk in printing ink that made it smell good (it was a little 60 years after this film was made I have to mention). So it makes me a bit nostalgic. Newspapers now publish the latest news on the internet and everyone can print one copy of a self-written book. They call this glorified printer very lovely ‘Betty’, but I do not see the romance of it.


But I digress. To reach the final conclusion; 'The Power of the Press' is great light entertainment that is technically very well put together.
Oh and 'Power of the Press' from 1943, although it has the same theme as 'The Power of the Press' from 1928, is not a remake.



Comments

Popular posts from this blog

Miss Marple - a Film Review

Agatha Christie's murder mysteries are legendary. Miss Marple and Poirot are two of her most popular creations. Over the many decades, Christie has sold more books than many other writers. Since the beginning of the film, popular books have been turned into films. I do not know exactly what was the first movie version of a successful selling book, but I can remember a film of Lewis Carroll's 'Alice in Wonderland' that was made in 1903. The first movie of a popular detective I know of is the short movie "Adventures of Sherlock Holmes" created in 1905. It is therefore amazing that it was only in 1961 that the first Miss Marple film, with the somewhat eccentric Margaret Rutherford in the title role, was made. Three other Miss Marple movies followed with Rutherford. It's hard to understand for some people, but in most cases it's necessary to change the story to make a good movie of a book. The reason for this is that a story must be told in a lim

Arsenic and old Lace (1944 and 1969) - a Film Review

Critic Mortimer Brewster finds out on his wedding day that his beloved aunts have killed a number of older men and that madness runs in his family. This is a film based on a play by Joseph Kesselring, and is filmed twice. The first movie that was made of it was shown into cinemas in 1944. This film was directed by Frank Capra with Cary Grant, Prescilla Lane, Josephine Hull, Jean Adair, Raymond Massey and Peter Lorre in the lead. In 1969 a remake was made for television with Bob Crane, Sue Lyon, Helen Hayes and Lillian Gish in the lead. I will discuss both in this review. When Capra began recording in 1941, the play is a big hit on Broadway. To not interfere with the success of the play, Warner Bros., with the producers of the play, decided that the movie will not be featured in the cinema before it ran out on Broadway. Thus it came to pass that the first performance, for the troops overseas, was shown in 1943. The following year the film was screened in the cinemas. The film i

Les petits meurtres d'Agatha Christie - a Film Review

Scene from 'Un meurtre en sommeil' In 2009, the French decided to make their own adaptations of Agatha Christie's detective stories. They do this (the series continues and the filming for the new season is to be broadcast in 2018 is being filmed as I write this) entirely in their own way. Poirot and Miss Marple have been replaced by the comic police duo Larosère and Lampion. This is not the only thing they have changed in the stories. They have changed almost everything to Christie's classics except the basics of the stories. In some episodes it was difficult for me to see which Agatha Christie story they used. Antoine Duléry in 'Je ne suis pas coupable' They also made the stories more modern. For example, inspector Lampion is gay and in one story he has to dress himself as a woman to catch the killer. Normally, I do not like this kind of dressing up because it often results in a cheap kind of humour and I just find this embarrassing. But that is