Skip to main content

Behind the Front (1926) - een Silent Film Review

Mary Brian

“Won’t you be my war hero?”

In April 1917, America decided to take an active part in the armed conflict, in which by now so many countries were taking part in that it was already called 'The Great War' at that time. The reason why I leave aside for now, but the fact remains that about a year and a half later the First World War was over. America became a world power, there was economic growth and there was, despite the prohibition that was introduced in 1922, a feeling of optimism. People liked going to the cinema to laugh at the jokes of Charlie Chaplin, Harold Lloyd and Buster Keaton. They belonged to the first generation of superstars that emerged in the 1920s.

Mary Brian  and  Wallace Beery

In 1926 enough time had passed to look back at this dramatic Great War in a more light-hearted way. (Okay, admitted that Chapin had no trouble at all making fun of the war even before it was over in his 'Shoulder Arms'). In Behind the Front, from 1926, Shorty McKee (Raymond Hatton) steals Riffs (Wallace Beery) pocket watch. Riff, who’s a detective, starts chasing him, but when he gets lost, he meets the most charming Betty. Betty wants to go to France to make her contribution to the fight against Fritz, but her father only gives his approval when she recruited 25 soldiers. Betty knows how to put her charm to good use and has already enlisted 23 men when Shorty asks her to hide him. With number 24 in mind she hides him in a Spanish chest. When Riff comes in, she sees her chance to complete her set. With an abundance of compliments, a photo and the question “Won’t you be my war hero?” it costs her little effort to persuade him to join the army. And the same method also proves to be effective with Shorty.

Gertrude Astor?

On the way to France, Riff and Shorty meet again. Because Riff never had the opportunity to take a good look at the thief of his pocket watch, he does not recognise Shorty. And since they both aren’t really interested in the war and both are only interested in the girl, who they do not know is the same girl that recruited them, they become friends. A fun adventure, that many times puts a smile on my face, follows.

Hayden Stevenson  and Raymond Hatton

Both Wallace Beery, who plays Riff, and Raymond Hatton, who plays Shorty, do not have the comic timing of the slapstick greats I mentioned at the beginning of this review, but I do not really mind that. And perhaps this is not entirely due to them. The rhythm of the editing also has to do with it. For example, the scene with the inspection of the regiment isn’t as effective as it could’ve been. But maybe the editor did not have enough material to work with. An extra close-up here and there could have helped. If director A. Edward Sutherland didn’t shoot these than the editor couldn’t help that. But maybe Sutherland had to work with a limited budget. But what does it matter. Whatever the reasons, the result is still quite nice.

Wallace Beery

A reviewer wrote in the May issue of 'Motion Picture Magazine' of May 1926; “Some my call it a steal on ‘The Big Parade’ [King Virdor, 1925]. But it should be remembered that this is sheer burlesque calculated to strike your funny-bone and nothing else. Beery and Hatton put it over.”  And when 'Behind the Front' played in the cinema in 1926, the film broke all box-office records. Although in the present sense of the word ‘burlesque’ there are little bare breasts (read: none) in this film I find 'Behind the Front' a very amusing film.

Comments

Popular posts from this blog

Miss Marple - a Film Review

Agatha Christie's murder mysteries are legendary. Miss Marple and Poirot are two of her most popular creations. Over the many decades, Christie has sold more books than many other writers. Since the beginning of the film, popular books have been turned into films. I do not know exactly what was the first movie version of a successful selling book, but I can remember a film of Lewis Carroll's 'Alice in Wonderland' that was made in 1903. The first movie of a popular detective I know of is the short movie "Adventures of Sherlock Holmes" created in 1905. It is therefore amazing that it was only in 1961 that the first Miss Marple film, with the somewhat eccentric Margaret Rutherford in the title role, was made. Three other Miss Marple movies followed with Rutherford. It's hard to understand for some people, but in most cases it's necessary to change the story to make a good movie of a book. The reason for this is that a story must be told in a lim

Arsenic and old Lace (1944 and 1969) - a Film Review

Critic Mortimer Brewster finds out on his wedding day that his beloved aunts have killed a number of older men and that madness runs in his family. This is a film based on a play by Joseph Kesselring, and is filmed twice. The first movie that was made of it was shown into cinemas in 1944. This film was directed by Frank Capra with Cary Grant, Prescilla Lane, Josephine Hull, Jean Adair, Raymond Massey and Peter Lorre in the lead. In 1969 a remake was made for television with Bob Crane, Sue Lyon, Helen Hayes and Lillian Gish in the lead. I will discuss both in this review. When Capra began recording in 1941, the play is a big hit on Broadway. To not interfere with the success of the play, Warner Bros., with the producers of the play, decided that the movie will not be featured in the cinema before it ran out on Broadway. Thus it came to pass that the first performance, for the troops overseas, was shown in 1943. The following year the film was screened in the cinemas. The film i

Les petits meurtres d'Agatha Christie - a Film Review

Scene from 'Un meurtre en sommeil' In 2009, the French decided to make their own adaptations of Agatha Christie's detective stories. They do this (the series continues and the filming for the new season is to be broadcast in 2018 is being filmed as I write this) entirely in their own way. Poirot and Miss Marple have been replaced by the comic police duo Larosère and Lampion. This is not the only thing they have changed in the stories. They have changed almost everything to Christie's classics except the basics of the stories. In some episodes it was difficult for me to see which Agatha Christie story they used. Antoine Duléry in 'Je ne suis pas coupable' They also made the stories more modern. For example, inspector Lampion is gay and in one story he has to dress himself as a woman to catch the killer. Normally, I do not like this kind of dressing up because it often results in a cheap kind of humour and I just find this embarrassing. But that is